Book of Judges by Gregory Mobley, Joanna Kline

This frontier epic located among the former prophets in the Jewish Bible and the historical books in the Old Testament of the Christian Bible narrates the adventures and misadventures of the Israelites between their entrance into Canaan (narrated in the preceding book of Joshua) and the emergence of kingship and a political state under David (narrated in the subsequent books of 1 Samuel and 2 Samuel). The subjects of its title, the “judges,” are the tribal leaders and protagonists of the stories in the book, who lead Israel in this transitional period between the era of the covenant-making heroes Moses and Joshua in the books of Moses (that is, the Pentateuch) and Joshua and the nation-making (and -breaking) heroes Samuel, Saul, David, and various monarchs in the books of 1 and 2 Samuel and 1 and 2 Kings. Since the 19th century, biblical studies have been dominated by attempts to isolate literary documents that were composed prior to the existing books and then braided together to form the extant biblical literature. This inspired a century of research into the literary prehistory of Judges and scores of competing analyses that offered schemes isolating stages in the development of Judges and assigning dates and likely authors to these hypothetical documents. The results of this literary detective work were ingenious, inventive, and inconsistent. Since the second half of the 20th century, the focus in research has shifted away from both literary reconstruction and attempts to coordinate the sources of Judges with those of the Pentateuch and the former prophets. A number of studies focus on the organization and themes of Judges itself as an integrated literary whole. Another set of studies has utilized Judges as a window into the history of early Israel, arguing for the accuracy or inaccuracy of the Israelite “conquest” of Canaan near the end of the second millennium BCE . Virtually every narrative in Judges includes vivid female characters, and there are many studies of Judges from the perspectives of feminism and gender studies. The advent of folklore studies and the array of reading strategies that are grouped under the rubric of “deconstruction” have changed the terrain by posing new questions and eroding the foundation of historical and literary schemes that attempt to impose single or grand maps on the entire landscape of the book. Accordingly, scholarship has recently come full circle, modestly focusing on the individual narratives themselves with their memorable characters and engaging plots, rediscovering why Gideon’s trumpet and Samson’s long hair have become enduring cultural motifs, why the wise among us still avoid shibboleths, and why so many girls continue to be named “Deborah” but not “Delilah.”

Commentaries

In a pioneering historical-critical commentary on Judges, Moore 1895 observes the archaic nature of the Song of Deborah (Judges 5), isolates the heroic anthology that forms the book’s core (Judges 2–16), exhaustively catalogues details of history and philology, and exercises great literary sensitivity in the analysis of each respective narrative unit. Boling 1975 pursues the quest of the mid-20th-century biblical archaeology movement: the reconstruction of the early Iron Age chapter of ancient Israelite history and culture. A number of new approaches to the art of commentary focus on specific areas: Olson 1998 on theological and moral issues, Fewell 1998 on the portrayals of female characters, Gunn 2005 on reception history, and Niditch 2008 on the oral-traditional quality of the material. Several recent commentaries can be characterized by their interpretive methods: Frolov 2013 uses a form-critical approach, Alter 2014 has a literary perspective, and Nelson 2017 employs rhetorical criticism. Butler 2009, Gross 2009, Biddle 2012, Webb 2012, Sasson 2014, and Knauf 2016 offer critical commentaries in the comprehensive style.

--> Citation (MLA): --> Citation (APA): --> Citation (Chicago): --> -->

Users without a subscription are not able to see the full content on this page. Please subscribe or login.

How to Subscribe

Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.